Part 1
Questions 1-16 History of the Globe Theatre
History of the Globe Theatre
The original Globe Theatre opened in autumn 1599 on the south bank of the River Thames, in London. It was one of several major theatres in the area, the others being the Swan, the Rose, and the Hope. The Globe was the main playhouse of the Lord Chamberlain’s Men, later called the King’s Men, a theatrical company to which the playwright William Shakespeare belonged. Most of Shakespeare’s post-1599 plays were staged at the Globe, including Julius Caesar, Macbeth, Othello, King Lear, and Hamlet.
The Globe was built in 1576, using timber from an earlier theatre in Shoreditch, east London, by James Burbage, the father of one of the actors. Called simply The Theatre, this structure was taken down after a 20-year lease on its land expired, and the timber from it was then transported over the Thames to construct the Globe.
The Globe Theatre was highly successful. Since there was little artificial light, performances were held in the afternoon, usually beginning in May. Flags waving in the wind advertised plays by the King’s Men, and all about the grounds of the theatre, playgoers would be buying merchandise and refreshments from stalls. People from all walks of life could enjoy the tragedies and comedies of Shakespeare. Both men and women would attend the plays, but the well-off would frequently wear masks to conceal their identity.
After years of success, the Globe was destroyed by fire on 29 June 1613, during a performance of Henry VIII. A theatrical cannon, set off during the performance, misfired, igniting the building’s roof and wooden beams. According to one of the few surviving contemporary accounts of the event, no one was hurt except a man who put out his burning trousers with a bottle of ale. A new Globe was created by the theatre company on the foundations of its predecessor before Shakespeare’s death in 1616.
However, after the Puritans gained control of Parliament, their campaign to enforce a higher standard of morality meant the end of the Globe. Their strict views gave rise to restrictions on many social activities, and like all the other theatres in London, the Globe was closed down in 1642. In 1644, the Puritans destroyed the Globe altogether to make room for housing. Its exact location was forgotten and remained unknown until remnants of its foundations were discovered in 1989 near a row of eighteenth-century buildings. There may be further remains under these buildings, but they are themselves listed as historical buildings and currently may not be disturbed by archaeologists.
The Globe’s shape and size have been the subject of scholarly inquiry over the last two centuries. The evidence suggests that it was a three-storey, 100-foot-wide, open-air amphitheatre. It was probably a polygon in shape, with twenty sides. At the base of the stage there was an area called the ‘pit’, where spectators (called ‘groundlings’) would either stand or sit on the ground to watch the performance. They paid one penny to see the play, and the box into which they put their entrance fee gave rise to the term ‘box office’.
A rectangular platform, also known as an ‘apron stage’, thrust out into the middle of the open-air yard. On this, there was a trap door for use by performers to enter from the ‘cellarage’ area beneath the stage. Large columns on either side of the stage supported a roof over the rear portion of the stage. This would have been constructed using thatch. The inner ceiling was called the ‘heavens’, and was possibly painted with images of the sky. An opening in the heavens enabled performers to descend, using some form of rope and harness. The back wall of the stage had three doors on the first floor and a balcony on the second. The doors led into the ‘tiring house’ where the actors dressed and awaited their cue. The balcony was where the musicians performed and could also be used for scenes requiring an upper space, such as the balcony scene in Shakespeare’s Romeo and Juliet. In addition, it could be used as the ‘Lord’s Room’, where higher-paying audience members could be seated.
When the foundations of Shakespeare’s Globe were discovered in London’s Bankside district, public interest in building a modern version was reignited. Workers began construction in 1993, close to the site of the original. Completed in 1996, the current Globe Theatre was officially opened on 12 June 1997 with a production of Henry V. The reconstruction was carefully researched, so that the new building would be as faithful a replica as possible. It had the first thatched roof permitted in the city since the Great Fire of London in 1666. Modernisations include the addition of sprinklers on the roof to protect against fire. Due to modern health and safety regulations, only 1,300 people can attend a show, under half the estimated 3,000 of Shakespeare’s time.
Tickets to stand in the open -- no sitting allowed in this section -- are available for every performance at £5 each. The only covered parts of the amphitheatre are the stage and the more expensive seated areas. Plays are normally performed between May and October, and in winter the theatre is used for educational purposes.
Questions 1-7
Do the following statements agree with the information given in Reading Passage 1?
TRUE if the statement agrees with the information
FALSE if the statement contradicts the information
NOT GIVEN if there is no information on this
1. The Lord Chamberlain’s Men performed plays only in the Globe Theatre.
2. Recycled wood was used in the construction of the original Globe.
3. Performances at the Globe were so popular that advance booking was necessary.
4. Some people who watched the plays tried to avoid recognition.
5. When the original Globe burned down, it was rebuilt on the same site.
6. The Globe was the first theatre to be closed down by the Puritans.
7. The remains of Shakespeare’s Globe were fully excavated in the 20th century.
Questions 8-16
Complete the notes below.
Choose NO MORE THAN TWO WORDS AND/OR A NUMBER from the passage for each answer.
The Globe
Parts of the original Globe
- the 8 -- for members of the audience (one penny per person)
- the 9 -- a protruding platform
- the 10 -- giving access to the stage from below
- roof made of 11
- the 12 -- for performers to change into costumes
- balcony for the use of the 13, actors or wealthy spectators
The modern Globe
1993--1996 -- the modern Globe was built
- the building
- it was designed to be a mainly accurate replica
- 14 were a new safety feature
- audience capacity was reduced by more than 15
- the performances
- the price of outdoor tickets is fixed
- tickets for seats in the 16 spaces cost more
- there are no performances during winter
Part 2
Questions 17-29 Keeping an eye on shoppers
Keeping an eye on shoppers
Big shops are using elaborate technology to monitor and influence the behaviour of their customers.
A Several large retail chains utilise various technologies to monitor customer habits, increase profit margins, and enhance product delivery. Retailers, it seems, are buying the idea that by watching customers while they shop -- what might be called ‘retail surveillance’ -- and redesigning their shops accordingly, they can get people to spend more.
B One system, called Smartlane, has been successfully trialled by several major retailers. It has two elements: sensors by the doors count the number of people entering and leaving the shop, and sensors by the tills work out how fast the queues are moving and how many ‘shopping units’ -- groups of people, such as families or couples, that make one transaction between them -- are standing in each queue. All this information can then be used to predict how many tills will be needed up to an hour in advance and monitor average waiting times and queue lengths. In some cases, a queue longer than one shopping unit triggers the opening of another till. One British retailer said last year that the monitoring system had reduced waiting time for customers and helped to boost the firm’s revenue.
C This is not the only technology keeping tabs on shoppers. Another supplier of customer-monitoring systems uses dual-lens cameras, which are more accurate than single-lens cameras, in tracking and counting. Rather than monitoring queue lengths, however, the system, called BehaviorIQ, is used by retailers to gather data on where their customers go, how long they slow down to look at different products, and how they react to them. This information can then be compared with the store’s transaction log to determine the effectiveness of store layout, product fixtures and other variables. In-store designs and marketing campaigns that work can be identified and worked on, and those that do not work can be replaced with something more profitable.
D One of the largest customer-monitoring projects undertaken so far is PRISM (or ‘Pioneering Research for an In-Store Metric’). The project involved the use of sensors at the entrances and exits and in some of the aisles of 160 stores across the US. These sensors recorded data on customer-traffic patterns, to which was added further information recorded by human observers. By comparing the resulting data with sales information, it was then possible to gain insight into shoppers’ behaviour. For example, when observational data on the number of children present during a shopping trip was taken into account, the results were even more detailed: the PRISM results showed that although children took part in only 13 per cent of food-shopping trips, shoppers bought more when accompanied by them. Purchase of seasonal items was two and a half times more likely with children in tow, but surprisingly there was no correlation found between the presence of children on a shopping trip and higher spending on sweets.
E A further adaptation of this technology is VideoMining, which uses a combination of video cameras and software to capture and analyse thousands of hours of footage of customer behaviour. As well as providing information about customer behaviour, the firm’s software can also determine each shopper’s sex, age range and ethnic group with an accuracy of around 80 per cent, says Jeff Hershey of VideoMining. The system can even be programmed to detect the characteristic behaviour of shoplifters as they steal goods from places in the store. Inevitably, all this raises doubts about privacy. Counting customers with motion sensors as they enter a supermarket is one thing, but sorting them into social or racial groups using video analysis is another. Retailers respond that none of the footage or information about individual shoppers is stored and that customers are generally willing to give up some personal information if they feel they are getting some benefit in return.
F Shoppers are not just being monitored by cameras and heat sensors, however; sometimes their speech is being recorded, too. Recordant, an in-store monitoring system operated by a company based in Atlanta, provides shop assistants with digital-audio recorders, to be hung around their necks, which record all their conversations with shoppers. At the end of each day the recording devices are plugged into special docking stations and the recordings are uploaded to Recordant’s headquarters for analysis. Its software scans the recorded dialogue for particular words or phrases without the need for any human input, in order to provide accurate information on employee performance and customer behaviour. By providing precise measurements, the technology allows retailers to refine their employee training programmes. They can even programme the system to search for any mention of their competitors. Unlike systems based on video cameras or sensors, users of Recordant’s technology are required to notify customers explicitly that their conversations are being recorded.
G As useful as customer-tracking systems may be for protecting harassed staff or minimising shoplifting, however, their primary objectives are clear. In an age when traditional ‘bricks and mortar’ retailers face stiff competition from online merchants, any means they can use to get customers into their shops and buying as much as possible is seen as a worthwhile investment.
Questions 17-20
Reading Passage 2 has seven paragraphs, A-G.
Which paragraph contains the following information?
Write the correct letter, A-G.
| A | B | C | D | E | F | G | |
|---|---|---|---|---|---|---|---|
| 17. a mention of the influence certain technology has on professional development of staff | |||||||
| 18. how technology can identify the profile of individual customers | |||||||
| 19. a mention of a significant current challenge to conventional shops | |||||||
| 20. how retailers use the data to evaluate the way their products are presented |
Questions 21-26
Look at the following statements and the list of technologies below.
Match each statement with the correct technology, A-E.
NB You may use any letter more than once.
List of Technologies
A. Smartlane
B. BehaviorIQ
C. PRISM
D. VideoMining
E. Recordant
21. Computers search for specific language used in the store.
21
22. Feedback is collected from people who watch customer activity.
22
23. Staff wear the monitoring technology.
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24. It is possible to identify criminal behaviour in a store.
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25. Only customer arrivals, departures and lines are monitored.
25
26. Cameras focus on the way customers move around the store and the places they stop.
26
Questions 27-29
Complete the sentences below.
Choose NO MORE THAN TWO WORDS from the passage for each answer.
27. In the Smartlane system, people who shop together are referred to as 27.
28. The PRISM project identified increased spending when shoppers had 28 with them.
29. The Recordant technology looks at customer behaviour and employee problems, and can even check whether shoppers talk about the shop’s 29.
Part 3
Questions 30-43 Science in the kitchen
Science in the kitchen
Chefs are bringing a new standard of experimentation and precision to their cooking.
There is a recent movement in the world of food, in which chefs are collaborating with scientists to teach themselves the chemistry and physics of cuisine. Even academics are getting excited about the results. Colin Osborne of the Royal Society of Chemistry in London is enthused: ‘Chefs are using unusual methods to produce exciting dishes that would be impossible without modern science,’ he says.
You may wonder what’s wrong with long-established culinary traditions. The fact is, many culturally ingrained cooking methods are less than perfect. Osborne gives the example of the common belief that frying meat seals in moisture, while researchers who weighed the meat actually found that moisture is lost in the process. Another example is the age-old technique of adding salt when boiling vegetables to raise the water’s boiling point, thus cooking the vegetables faster. In fact, the amount of salt typically added does not raise the temperature significantly -- or improve the flavour, since only a minuscule amount is absorbed.
Hervé This, director of the Molecular Gastronomy team at the French National Institute for Agricultural Research, spends much of his time trying to disprove culinary old wives’ tales. He is empirically testing traditional beliefs about cooking and disproving the more absurd, tackling such questions as whether it’s better to add vinaigrette to potato salad while the potatoes are still hot. ‘The first modern chemists used kitchen equipment to do their experiments,’ Hervé This explains. ‘Since then, chemistry has undergone massive changes -- but cooking methods have remained largely as they were in the Middle Ages.'
It’s seriously important work, says Peter Barham, a physicist at Bristol University. ‘If you understand what’s going on in cooking, you’ll be better equipped to improve it.’ Barham contends that it’s difficult to get good results from cookery books, because recipes are typically poorly written. In stark contrast, he notes, scientific papers are subject to peer review, whereby experts pore over experiments to ensure they can be accurately reproduced. Barham also collaborates with leading British chef Heston Blumenthal, proprietor of The Fat Duck, a restaurant in the south of England. The restaurant is widely regarded as one of the best in the world, serving delightfully unexpected dishes such as nitro-scrambled egg and bacon ice cream.
When Simon Campbell of the Royal Society of Chemistry bestowed an honorary fellowship on Blumenthal for creative applications of science to cooking, he said: ‘The scientific community admires and respects the research that Mr Blumenthal has performed to harness cuisine to science. Through his inquisitive and innovative approach to food he has underlined spectacularly how chemistry permeates all aspects of texture, taste and smell.'
Such restaurants are part of the movement known as ‘molecular gastronomy’, an expression coined by physicist Nicholas Kurti, working in collaboration with Hervé This. Kurti once quipped that it is a sad reflection that we know the temperature inside the stars better than the temperature inside a soufflé*. Kurti and Hervé This devised the expression ‘molecular gastronomy’ during the 1980s to denote the science of ‘culinary transformations and eating phenomena’ and differentiate it from food science.
’Twenty years ago, the worlds of science and cooking were neatly compartmentalised,’ agrees author Harold McGee, a top food science writer. ‘There was food science: an applied science mainly concerned with understanding the materials and process of industrial manufacturing. And there was the world of domestic and restaurant cooking, traditional crafts that had never attracted much scientific attention.'
A lot has changed in the two decades since he published his influential book on the topic. In a revised edition, McGee says the book was ‘riding a rising wave of general interest in food, a wave that grew and grew, and knocked down the barriers between science and cooking, especially in the last decade. Science has found its way into the kitchen, and cooking into laboratories.'
So what does the future hold? Rachel Edwards-Stuart is a graduate PhD student who is studying some remarkable food additives, including modified cellulose gels that solidify on heating and melt again as they are cooled. The idea is to make dishes that develop different flavours as they are eaten. Her other project is creating drinks that change flavour. ‘The concept came from… Roald Dahl’s children’s book Charlie and the Chocolate Factory, where Willy Wonka makes a bubble gum that is a whole meal in one sweet,’ she says. Unfortunately, Edwards-Stuart was unable to say more, due to a confidentiality agreement with the restaurant for which she conducts her research.
While Hervé This, Blumenthal and Edwards-Stuart are the pioneers, the next phase will be to bring science into kitchens at home. Already there are books that provide an insight into the wondrous chemistry that turns humble ingredients into cuisine. And as the movement grows it will not be long before we see laboratory test tubes, flasks and maybe the odd centrifuge on sale next to carving knives, rolling pins and pressure cookers.
* soufflé: a French dish made using beaten eggs
Questions 30-34
Do the following statements agree with the claims of the writer in Reading Passage 3?
YES if the statement agrees with the claims of the writer
NO if the statement contradicts the claims of the writer
NOT GIVEN if it is impossible to say what the writer thinks about this
30. Scientists and chefs have a long-established history of working together.
31. Traditional ways of cooking tend to be supported by modern scientific research.
32. The food produced by Heston Blumenthal at The Fat Duck is unconventional.
33. El Bulli is the most popular restaurant of its kind in Spain.
34. McGee has plans to open his own restaurant.
Questions 35-38
Choose the correct letter, A, B, C or D.
35. The purpose of Hervé This’s research is to
36. According to Peter Barham, one difference between cookery books and scientific papers is that
37. Nicholas Kurti referred to a soufflé in order to
38. One aspect of Rachel Edwards-Stuart’s research involves
Questions 39-43
Complete each sentence with the correct ending, A-H, below.
A. there used to be a clear division between cooking and science.
B. well-established cooking traditions have come back into fashion.
C. cooking has failed to keep pace with scientific developments.
D. an imaginary invention inspired scientific research.
E. science has helped cooks make meals that would otherwise be unachievable.
F. an award was given to acknowledge work in scientific gastronomy.
G. there is new terminology to describe the study of culinary reactions.
H. the home cook is not able to achieve the same level of innovation as a professional chef.
39. Colin Osborne explains that
39
40. Hervé This’s research has led him to the view that
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41. Thanks to the joint effort of Nicholas Kurti and Hervé This,
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42. Food writer Harold McGee says that
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43. Rachel Edwards-Stuart gives an example of a case where
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