Part 1
Questions 1-13 Thomas Cole: American Nature Painter
Thomas Cole: American Nature Painter
Thomas Cole (1801--1848) was America’s first major landscape artist. Though he was born in England and spent his formative time in Europe, his identity was as an American nature painter. He was also an advocate and protector of untouched American land threatened by industrial development.
Cole’s father, a small-time businessman, moved his family from place to place in northwestern England. In the process, Cole worked as a print shop apprentice, designing styles of cloth and later making reproductions of well-known paintings. In 1818, the family sailed to the United States, settling at first in the east coast city of Philadelphia. The teenage Cole stayed behind on the east coast as his parents traveled westward. From this point, his career as a largely self-taught artist began.
Cole began to travel and wherever he went -- including, briefly, to the Caribbean -- he sketched what he saw. He had little patience with cities and distanced himself from them when he could. At the Pennsylvania Academy of the Fine Arts, he became familiar with new American and European work. But within a few years, he felt ready to head to New York City, where he made lasting contacts in the still small art world, and was able to sell some paintings. And on an 1825 trip up the Hudson River, he found the subject that he would make his own: the American landscape, which he approached as both a mirror of reality and an object of fantasy.
Encouraged, Cole resolved to leave for Europe, a move that would let him see firsthand the art he had known mostly in reproduction. In terms of sales, London, the first stop, was a failure. No one noticed him, but he noticed a lot. He saw England suffering from chaos, with old social structures breaking down as a new industrial elite threatened a traditional wealthy rural class. And he saw artists responding to that. From England he went on to Italy, a more pleasant stay, though it was also suffering its own social issues. Outside Rome, he saw and painted countryside bathed in the hazy sunset light that he had seen and loved in 17th-century landscapes.
When Cole returned to America in 1832 he found it confusing and depressing. Though he had worked hard to leave his poor childhood behind through identification with a cultural elite, Cole found a new America: competitive, commercial, and uncivil -- a land of uncontrolled and destructive greed. He was committed to the USA -- he became a citizen in 1834 -- but left New York City with his wife and children for the countryside. What most disturbed him was the government’s seizure and destruction of natural forest lands. From his house he could see forests being rapidly cut down. Increasingly, he used painting to protest against these developments. Cole chose wilderness, and used the rest of his life to paint it.
One of Cole’s earliest pieces illustrating his dedication to the preservation of nature is The Tree, dated 1823. Done while he was living in the Caribbean, it’s an ink drawing of a single tree. But it is no ordinary tree: although realistically drawn, it looks bizarre, almost resembling some kind of animal, swinging its arm-like branches and walking on its roots.
Cole’s paintings from his Italian trip feature a different kind of countryside. These landscapes focused not on pure and untouched nature, but on the ruins of a long-dead culture. One of his most famous works is a series called The Course of Empire (1834--36). In five separate paintings, it narrates the stages that an unnamed fictional civilization passes through: from forest origins, to rural innocence, to proud flourishing high society, to destruction, to vanishing.
Returning to America, Cole settled on producing and selling landscape paintings. An early landscape, View of the Round-Top (1827), depicts thin clouds in the cool fresh air, a forested mountain, and a river winding in the distance. Paintings such as these were popular and sold quickly for high prices to New York’s new wealthy elite.
A similar image that was far more effective is the single, large 1836 painting titled View From Mount Holyoke (The Oxbow). From a bird’s-eye height we look down at the spot where the Connecticut River, flowing around an island-like mass, creates a question mark shape known as the Oxbow. The painting divides vertically into two distinct halves. To the left is a wild cluster of old trees and dense vegetation, which looks messy and threatening, but full of life; to the right, flat, treeless, square-cut fields which are cultivated and fertile, but feel bare and bland. In the foreground is a tiny self-portrait of Cole at work. He turns away from his canvas and looks right at us, as if to say: Here are the alternatives that you will face; you choose.
When he died suddenly at 47, in 1848, he was widely mourned. After Cole’s death, respect for his life and work was shown by fellow artists in the form of paintings done in a similar style for just a few years. The most famous was Asher Brown Durand’s 1849 Kindred Spirits, which illustrates Cole and the nature-poet William Bryant engaged in deep discussion in a rugged paradise of New York State forest. Yet, within a few years, Cole was all but forgotten, and it took more than a century before he was rediscovered.
Questions 1-7
Do the following statements agree with the information given in Reading Passage 1?
In boxes 1-7 on your answer sheet, write
TRUE if the statement agrees with the information
FALSE if the statement contradicts the information
NOT GIVEN if there is no information on this
1. Thomas Cole’s early work experience included creating copies of famous artwork.
2. Cole moved to the west of the USA while still a teenager.
3. Cole sold paintings in the Caribbean.
4. Cole remained in touch with other New York-based painters for a long time.
5. The first paintings that Cole sold in New York showed the Hudson River.
6. On Cole’s trip to Europe, he stayed longer in Italy than in England.
7. Although Cole painted in the countryside, his family lived in New York City.
Questions 8-13
Complete the notes below.
Choose ONE WORD ONLY from the passage for each answer.
Write your answers in boxes 8-13 on your answer sheet.
Cole’s Work
Early work
• The Tree: a drawing that looks like a strange 8
Italian landscapes
• Cole’s paintings show 9 from a past society instead of natural beauty.
• The Course of Empire shows 10 of an imaginary society.
American landscapes
• View of the Round-Top shows a 11 covered in trees.
• The Oxbow shows wild vegetation on one side, and organised farmers’ 12 on the other.
• Cole put himself in the picture, next to a 13
Part 2
Questions 14-26 Redwoods
Redwoods
Some of these amazing trees are over 2,000 years old and the tallest trees on Earth
A It could be said that the history of modern America is carved in redwood, with calls to save these giant trees being made almost as soon as people began cutting them down. In 1848, when gold was found in California, some businessmen from the East saw an easier way to get rich: they recognised the potential of the reddish, straight-grained, rot-resistant wood in a gold rush that would quadruple California’s population in a decade. As San Francisco expanded, the great forests near the city were virtually leveled. Farther north, timber entrepreneurs used fair means and foul to purchase thousands of acres of federal lands dominated by redwoods for $2.50 an acre, beginning an era of corporate logging that continued for decades. By the 1880s, some 400 sawmills north of San Francisco were churning out timber for furniture manufacturers and the construction industry.
B Today less than five percent of the roughly two million acres of virgin redwood forest remains, mostly in reserves where logging is prohibited. Environmentalists mourn the destruction of habitats for animal species such as the spotted owl, but they aren’t the only things to have suffered. Harvest rates in the redwoods have fallen since the 1990s, when they were already half what they were in the 1970s. Communities that once boasted several timber enterprises, such as the towns of Korbel and Orick, are now lucky to have one still just about surviving. Unemployment is high in these towns and the effect is felt by everyone. ‘The battle to save the redwoods has already been fought, and there aren’t many of them left’, says Steve Sillett, a forest scientist at Humboldt State University. ‘The challenge now is understanding how to improve management of the redwoods that have been replanted and are just starting to grow.'
C It is hard to assess forestry practices without mentioning the logging company Pacific Lumber (PL), which was started by the Murphy family in 1905. The Murphys, who learned the lumber business from the chain saw up, believed in leaving some old trees, known as ‘old growth’, standing. Albert Murphy maintained that such conservative logging practices were necessary to sustain production, and perhaps even more importantly, to maintain a high level of employment in the industry for generations to come. In 1985, however, Charles Hurwitz orchestrated the hostile takeover of PL and became its Chief Executive. Under Hurwitz, PL owned roughly 70 percent of the old redwoods remaining in private hands. More importantly for the redwoods, Hurwitz abandoned the Murphys’ approach and adopted the controversial business model of clear-cutting, which involved cutting most or all of the trees in a harvest area. This doubled -- and some years even tripled -- the annual amount of timber harvested from the company’s holdings.
D Hurwitz’s attempts to cut the largest remaining block of old growth on private land, known as the Headwaters Forest, launched armies of young protesters and drew increased scrutiny from timber regulators. But, it was a dangerous time for the protesters. Tree sitters were extracted by force from their platforms hundreds of feet in the air and some were injured. However, PL was then bought by the Mendocino Redwood Company (MRC) and the need for confrontation seemed to be over. Activists who had occupied part of an old-growth section of Headwaters Forest to keep PL from logging it received assurances from MRC’s chief forester, Mike Jani, that the redwood trees in this section would not be cut down. However, for many, this was only the beginning. Lindsey Holm, a self-taught naturalist from northern California, says that fighting to save old growth trees is straightforward and easy to gain widespread backing for. ‘Trying to get people to oppose sound new-growth logging is more challenging’, Holm explains.
E As early as the 1930s, a forestry expert argued that if timber companies still wanted to be making a profit in the long run, they’d better start leaving some trees standing. In line with this thinking, Jani now promises that MRC will return to the earlier practice of selective cutting and thus leaving substantial numbers of old-growth trees. Jani has already implemented this approach on 230,000 acres of heavily logged redwood forest that it purchased. MRC’s policy will be to cut less than half of the overall volume of timber grown on its property each year through a variety of selection techniques. By doing this, the company will sacrifice greater short-term profits for a more sustained investment in the forest.
F Some foresters think there’s an even better way forward. ‘My idea is also to cut down fewer trees, but what’s important is how you identify which ones’, says Jim Able, a former industrial forester for the logging company Louisiana Pacific who now manages small private timberlands. The key, Able says, is which trees you choose to remove. He and his foresters mark every tree they want to be cut, aiming never to exceed 30 to 35 percent of the forest. Able is most critical of a form of selective logging called high-grading where only the best trees are logged. By contrast, Able harvests weak and poorly formed trees, leaving the straightest and strongest to thrive in the newly available light. And unlike timbermen who routinely clear-cut in a harvest area every few decades, Able comes back once a decade to evaluate whether to cut again. He never takes more wood than the forest has grown over that time, which means that the remaining trees -- what he calls his principal -- continue to increase in height, volume, and quality.
Questions 14-19
Reading Passage 2 has six paragraphs, A-F.
Choose the correct heading for each paragraph from the list of headings below.
* Drag a heading and drop it into the blank space.
Questions 20-23
Look at the following statements (Questions 20-23) and the list of people below.
Match each statement with the correct person, A-F.
List of People
A. Steve Sillett
B. Albert Murphy
C. Charles Hurwitz
D. Mike Jani
E. Lindsey Holm
F. Jim Able
20. It is a bad policy to cut down only redwoods of superior quality.
20
21. It is easier to get popular support for some logging issues than for others.
21
22. It is essential to consider the effects of logging policies on future generations of timber workers.
22
23. There are relatively few original redwoods left to protect.
23
Questions 24-26
Complete the sentences below.
Choose ONE WORD ONLY from the passage for each answer.
24. At the time 24 was discovered, people also realised the commercial value of Californian redwoods.
25. By the late 19th century, lots of timber was being used by companies that made 25.
26. Today, formerly prosperous communities have significant economic problems such as 26.
Part 3
Questions 27-40 The effectiveness of an online course
The effectiveness of an online course
As access to the internet has continued to grow, web-based learning has continued to expand. With approximately half of the households in the United States (or 130 million people) connected to the Internet, an estimated 2 million students are taking post-secondary courses that are fully delivered online. Millions of other students at all educational levels (primary, secondary, post-secondary) participate in online courses. However, the effectiveness of online courses, particularly in relation to individual student needs, perceptions, and student outcomes, is sometimes questioned.
Common elements for learning in a typical classroom environment are the social and communicative interactions between student and teacher, and student and student. The ability to ask a question, to share an opinion with a fellow student, or to disagree with the point of view in a reading assignment are all fundamental learning activities. However, effective web-based learning requires adjustments on the part of students and teachers for successful interactions to occur. For example, many online courses provide students and faculty, and students and students with the ability to interact with each other via an electronic bulletin or discussion board.
While most studies show a link between interaction and satisfaction in web-based courses, some observers have cautioned that this is not always the case. Ruberg, Taylor and Moore, for example, observe that in order to interact successfully, students must adjust to the nonlinear nature of web-based learning. A classroom discussion is generally linear, focusing on a single discussion thread. Web-based learning sessions on an electronic bulletin board can have multiple threads with several discussions and interactions progressing simultaneously. Students need to be able to respond not only to a teacher but also to other students, depending on the interest and points of view.
Sproull and Kiesler caution about discussions based on misinformation, that continue because an instructor cannot necessarily immediately correct or clarify a comment. As a result, students need to have the experience and knowledge base to sift through the discussion for misinformation. In online learning, the amount of student interaction and the number of comments can easily lead to what is described as information overload. Furthermore, comments in online discussions tend to be lengthier than in face-to-face situations. With more information from many sources, students need to be more attentive to both the who and what of a discussion. Herbert Simon, an economist, cautions that, ‘a wealth of information creates a poverty of attention.'
In examinations of interaction, the concept of ‘presence’, or a sense of being in a place and belonging to a group, has received attention. It is generally assumed that when a student is physically present in a face-to-face course, he or she has a sense of belonging to the class or group enrolled in the course and this sense of belonging is greater than that experienced online. In a face-to-face class, he or she listens to and may choose to raise a hand to comment, answer or ask a question. Furthermore, one student may develop a relationship with other students in the class and discuss topics related to the class during a break. However, this is an assumption and not always true. For various reasons, some students can also feel alienated in a face-to-face class and not feel part of a group.
The idea of presence has been redefined in relation to an online course. The simplest definition of presence for an online course refers to a student’s sense of being registered and belonging in a course, and the ability to interact with other students and an instructor even though physical contact is not available. However, as this concept is studied, the definition is expanding and being refined to include telepresence, cognitive presence, social presence, teaching presence, and other forms of presence. The term ‘community’ is related to presence and refers to a group of individuals who belong to a social unit, such as students in a class. In an online course, however, terms such as communities of inquiry, communities of learners, and knowledge-building communities have evolved.
As the definition of presence has expanded and evolved, a distinction has been made between interaction and presence, emphasizing that they are not the same. Interaction may indicate presence but it is also possible for a student to interact by posting a message on an electronic bulletin board, while not necessarily feeling that he or she is part of a group or a class.
A study conducted by Professor Anthony Picciano used questionnaires to determine students’ attitudes in relation to their interactions and sense of presence in online courses. An attempt was made to go beyond student perceptions to include performance and to compare perceptions of social presence, as well as actual participation in class activities. In addition, data was collected on performance measures that related specifically to course objectives. While much of the research, including this study, supports the strong relationship between students’ perception of interaction and perceived learning, the results of the study indicated that the relationship of actual measures of interaction and performance is mixed.
The success of many online courses is dependent upon the nature of student-to-student and student-to-faculty interaction. However, how interaction affects learning outcomes and what the relationships between the two are, is in need of further study.
Questions 27-31
Choose the correct letter, A, B, C or D.
Write the correct letter in boxes 27-31 on your answer sheet.
27. Which of the following is mentioned in the article in relation to classroom-based learning?
28. Ruberg, Taylor and Moore point out that web-based learning requires learners to
29. What problem did Sproull and Kiesler identify with online discussions?
30. The writer refers to the concept of online presence as
31. What was a focus of Anthony Picciano’s study?
Questions 32-36
Do the following statements agree with the claims of the writer in Reading Passage 3?
In boxes 32-36 on your answer sheet, write
YES if the statement agrees with the claims of the writer
NO if the statement contradicts the claims of the writer
NOT GIVEN if it is impossible to say what the writer’s view about this is
32. The ability of online courses to meet an individual participant’s needs is unclear.
33. Researchers caution against building strong online relationships.
34. Common assumptions about the benefits of face-to-face courses have proved to be correct.
35. The meaning of presence is still being clarified.
36. Research on the impacts of interaction on learning outcomes has produced consistent results.
Questions 37-40
Complete each sentence with the correct ending, A-F, below.
Write the correct letter, A-F, in boxes 37-40 on your answer sheet.
List of endings
A. is dependent on adapting to unfamiliar interaction formats.
B. is key in determining whether a student has a sense of belonging in the course.
C. is key in deciding whether students will require more study time.
D. is essential to excel in study and scholarship.
E. is key in determining where a student feels they have learned something from a course.
F. is important for determining their validity.
37. The ability to succeed in an online course
37
38. The need to be mindful of the source of comments in an online discussion
38
39. In online courses, it is presence, rather than interaction, that
39
40. The relationship between interaction and learning achievement
40